銀之盤壽司 CM 「秘密」篇

之盤壽司幽默創意的廣告，鋪梗超長。

line的貼圖誕生物語

line的貼圖誕生物語

首部由Instagram軟體製作而成的"影片"

影片連結：http://vimeo.com/53426724

只有小孩才看的到的戶外廣告

這個由西班牙Anar Foundation推出的戶外廣告看板，讓身受家暴威脅的孩童，可以看到只有在他們的視角才能看到的"關鍵性"訊息。 非常精彩的創意與執行!

Advertising Agency: Grey, Spain
Chief Creative Officer: Antonio Montero
Executive Creative Director: Javier García Monserrat
Creative Directors: Fernando Riveros, Matías López Navajas, María Salomón
Art Director: Jesús Martínez, Nacho Capelo, Javier García. Maestro
Copywriter: Álvaro Montes, Nuño Martín
Art Buyer: Mayte Carabias
Account Director: Lucía Gómez Hortigüela
Account Executive: Mar Portela
Client Contact: Tomás Lagunas, Marisa Sarralde, Benjamín Ballesteros, Marta Ruiz-Castillo

Photoshop 人像修圖

Photoshop 人像修圖操作細節 

Smothing skin(Dodge and Burn technique)
Luscious Lips Tone Corrections 
Skin Color Corrections 
Light Corrections
Hair Construction
Video has been stopped many times and speeded up almost 32x times Original length 2:30 hours

奇幻攝影師Cade Martin

攝影師Cade Martin的網站有這麼一句話相機能夠捕捉靈魂」
（It appears cameras can capture the soul.）

Still Images in Great Advertising- Cade Martin

Cade Martin has been a long time client of mine and I have been more than thrilled at his continuing success and growth.  This latest campaign is with Starbucks and their TAZO tea brand which came to him through his agents at Greenhouse Reps.

Suzanne:  I see you finessing this style and growing the technique.  Is this because this creative team allowed you to push the envelope more than some past projects?

Working with the Starbucks creative team was an amazing experience. They were collaborative as well as super supportive of anything I wanted to try, and gave the time and space to push it a little bit further and experiment.  For this project I pulled together a team with a lot of feature film experience, which helped take it in the direction I wanted.

Suzanne: Where did you shoot this campaign?  It is so etherial.  But some of that I think is your lighting and technique that you have taken further.

We shot the entire campaign over three days in LA, two days were at Greystone Mansion (a Tudor-style estate where films like There Will Be Blood and The Prestige were filmed) and one day was at the Huntington Botanical Gardens.

We had a number of scenarios and the two locations were perfect in that they allowed us multiple looks that were all completely different.

Suzanne: What are your plans to continue to grow this style of shooting?  It is nice to be known for a unique style but if you don’t push and grow you get pigeon holed.

It’s an interesting question and I’ve faced the pigeon holing at every step of my career. When I first started I worked on a couple of projects for National Geographic & Discovery Channel and I was considered a reportage photographer. I then worked on corporate portraits and I was known as the corporate guy. I did a book project for a ballet company so I was then the dance guy.  I know it’s human nature to want to classify someone but I’d love to be considered just a photographer.  I honestly love the range of the projects that I work on and I think I’m able to draw on each and every one of these different experiences to bring something to a project that maybe wasn’t considered.

Suzanne:  I know that it is wonderful to be doing National and International assignments, but you still love your local clients and the work they do.  How to get the message to local advertising community that you still love their projects, too.

I live in DC, am raising my family in DC and I truly love working in DC. It really is a neat city, an international city, and there is a ton of amazing work being created here – projects large & small and I love being a part of it.   I’ve been very fortunate to have a list of local clients that I love working with and truly enjoy the collaborative nature of our work.  It’s like family.  Photography for me is not just about the grand and faraway – but often, it’s the joy of bringing a new look – or discovering a hidden secret – in your very own backyard.

http://goo.gl/vO2hT

插畫家Aaron Jay

http://www.randyotter.com/