http://everylastdrop.co.uk/
英國NGO組織Waterwise所製作的互動網頁。
英國人平均一天一人要耗費150公升的水，
但若是從各種日常行為背後再去推敲加總，
卻有高達4,645公升的水資源要付出。
除了強調水資源的耗費巨大之外，也提醒我們地球上仍有將近10億人沒有乾淨的水可用，呼籲大家聰明用水，像是用淋浴取代泡澡，少吃高耗能食物，支持各種省水計劃。
動畫製作公司是同樣來自英國倫敦的Nice and Serious。
2013年5月29日 星期三
Angry Birds 3D Animation
Squeeze Studio 挑戰把受歡迎2D憤怒小鳥，轉換成在3D上。影片中，使用2D手繪來表現特效該有的流動與流暢度，透過顏色以及色彩濃度將其與3D融合。
倖存少女溫馨故事 《活屍撫育記》短篇動畫連載
澳洲動畫師Guy Collins製作的短篇卡通《活屍撫育記 (Raised By Zombies)》，以輕鬆的步調和畫風敘述在活屍群中倖存的小女孩的成長故事，以每集約2分鐘的短篇形式在網路上連載。故事幾乎沒有台詞，雖然情境是末日卻充滿溫馨之情，靠音樂與畫面打動人心。
2013年5月26日 星期日
狗狗做蛋捲-Madeline Sharafian插畫作品
Madeline Sharafian是位就讀於加州藝術學院的學生，她每年都會推出一支動畫作品，相較於上支作品，今年這支"omelete"帶來極大的迴響，故事敘述一隻小狗狗為主人製作了蛋捲，溫暖了主人疲憊的身心，非常sweet :D
IKEA-Playin' with my friends
英國的IKEA廣告，大多由英國頂尖廣告團隊-Mother London所拍攝，這支"Playin' with my friends"不僅成功地將IKEA的品牌形象、商品使用融入廣告情境中，更進一步表達小孩子也能安心使用IKEA商品的信任感。非常有趣。
後續還有Darren Bear的採訪與幕後花絮:D
後續還有Darren Bear的採訪與幕後花絮:D
2013年5月23日 星期四
2013 5月份雜誌購買清單
| 1. sweet美麗輕熟女魅力時尚生活專刊2013夏號 x 1 NT$298 2. Shopping Design 5月號/2013 第54期 x 1 NT$78 3. La Vie 5月號/2013 第109期 x 1 NT$156 4. Computer Arts意念圖誌 5月號/2013 第68期 x 1 NT$221 (贈品)《慢遊台北 設計散策》書籍一本 x 1 NT$FREE --------------------------------------------------- |
| 共計：753元 |
2013年5月21日 星期二
2013年5月20日 星期一
2013年5月19日 星期日
今天想休假上班嗎?-Day off generator
這款由美國戶外雜誌Go outside推出的App-Day off generator，只要下載並選擇想要休假的日子，它就主動幫妳在妳的社交網站上發佈生病訊息，幫妳在醫院打卡，還幫妳PO上妳人在醫院的照片，科技果然來自於人性啊!
2013年5月15日 星期三
2013年5月13日 星期一
2013年5月10日 星期五
2013年5月9日 星期四
只有小孩才看的到的戶外廣告
這個由西班牙Anar Foundation推出的戶外廣告看板，讓身受家暴威脅的孩童，可以看到只有在他們的視角才能看到的"關鍵性"訊息。 非常精彩的創意與執行!
Advertising Agency: Grey, Spain
Chief Creative Officer: Antonio Montero
Executive Creative Director: Javier García Monserrat
Creative Directors: Fernando Riveros, Matías López Navajas, María Salomón
Art Director: Jesús Martínez, Nacho Capelo, Javier García. Maestro
Copywriter: Álvaro Montes, Nuño Martín
Art Buyer: Mayte Carabias
Account Director: Lucía Gómez Hortigüela
Account Executive: Mar Portela
Client Contact: Tomás Lagunas, Marisa Sarralde, Benjamín Ballesteros, Marta Ruiz-Castillo
Advertising Agency: Grey, Spain
Chief Creative Officer: Antonio Montero
Executive Creative Director: Javier García Monserrat
Creative Directors: Fernando Riveros, Matías López Navajas, María Salomón
Art Director: Jesús Martínez, Nacho Capelo, Javier García. Maestro
Copywriter: Álvaro Montes, Nuño Martín
Art Buyer: Mayte Carabias
Account Director: Lucía Gómez Hortigüela
Account Executive: Mar Portela
Client Contact: Tomás Lagunas, Marisa Sarralde, Benjamín Ballesteros, Marta Ruiz-Castillo
2013年5月6日 星期一
Photoshop 人像修圖
Photoshop 人像修圖操作細節
Smothing skin(Dodge and Burn technique)
Luscious Lips Tone Corrections
Skin Color Corrections
Light Corrections
Hair Construction
Video has been stopped many times and speeded up almost 32x times Original length 2:30 hours
奇幻攝影師Cade Martin
攝影師Cade Martin的網站有這麼一句話相機能夠捕捉靈魂」
（It appears cameras can capture the soul.）
Still Images in Great Advertising- Cade Martin
Cade Martin has been a long time client of mine and I have been more than thrilled at his continuing success and growth. This latest campaign is with Starbucks and their TAZO tea brand which came to him through his agents at Greenhouse Reps.
Suzanne: I see you finessing this style and growing the technique. Is this because this creative team allowed you to push the envelope more than some past projects?
Working with the Starbucks creative team was an amazing experience. They were collaborative as well as super supportive of anything I wanted to try, and gave the time and space to push it a little bit further and experiment. For this project I pulled together a team with a lot of feature film experience, which helped take it in the direction I wanted.
Suzanne: Where did you shoot this campaign? It is so etherial. But some of that I think is your lighting and technique that you have taken further.
We shot the entire campaign over three days in LA, two days were at Greystone Mansion (a Tudor-style estate where films like There Will Be Blood and The Prestige were filmed) and one day was at the Huntington Botanical Gardens.
We had a number of scenarios and the two locations were perfect in that they allowed us multiple looks that were all completely different.
Suzanne: What are your plans to continue to grow this style of shooting? It is nice to be known for a unique style but if you don’t push and grow you get pigeon holed.
It’s an interesting question and I’ve faced the pigeon holing at every step of my career. When I first started I worked on a couple of projects for National Geographic & Discovery Channel and I was considered a reportage photographer. I then worked on corporate portraits and I was known as the corporate guy. I did a book project for a ballet company so I was then the dance guy. I know it’s human nature to want to classify someone but I’d love to be considered just a photographer. I honestly love the range of the projects that I work on and I think I’m able to draw on each and every one of these different experiences to bring something to a project that maybe wasn’t considered.
Suzanne: I know that it is wonderful to be doing National and International assignments, but you still love your local clients and the work they do. How to get the message to local advertising community that you still love their projects, too.
I live in DC, am raising my family in DC and I truly love working in DC. It really is a neat city, an international city, and there is a ton of amazing work being created here – projects large & small and I love being a part of it. I’ve been very fortunate to have a list of local clients that I love working with and truly enjoy the collaborative nature of our work. It’s like family. Photography for me is not just about the grand and faraway – but often, it’s the joy of bringing a new look – or discovering a hidden secret – in your very own backyard.
http://goo.gl/vO2hT
2013年5月5日 星期日
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